Inside out: photographs of the Iranian diaspora

Victors wears suit stylist’s own, t-shirt CARHARTT WIP, hat PARIA FARZANEH, necklace CHOPOVA LOWENA, belt MARTINE ROSE and shoes CONTEMPORARY WARDROBE
As the country’s youth fight for a place where all Iranians are free to embody their identities, Shahram Saadat photographs the Iranian diaspora for the new issue of THE FACE.
Society
Words: Niloufar Haidari
Photography: Shahram Saadat
Styling: Nadia Dahan
Taken from the new print issue of THE FACE. Get your copy here.
There is a strange thing that often happens when I tell people I’m Iranian. “Oh, you mean Persian!” they will reply, as if it is 550 BC and even the word “Iran” itself has no place in civilised conversation. This reaction can come from both Iranians and non-Iranians alike, in large part because many Iranians in the West prefer the connotations of “Persia” (the Persian Empire, art and culture, elaborate rugs, miniskirts) than those of “Iran” (Islamic fundamentalism, hostage situations, political repression, women shrouded in long black veils).
This is a false binary, and one that flattens both the history of Iran and the lived experiences of Iranians both inside and outside of the country. Obscured by the glamorous throwback photos of bikini-clad women in pre-revolution Iran is legislation that forbade others from wearing the hijab and a monarchy that attempted to force a programme of Westernisation onto a populace that had little interest in it. Lost from the relentlessly dour, sand-coloured footage we are shown from modern-day Iran is a vibrant, joyful culture and a fearless, youthful population that refuses to be cowed by the brutality and limitations they have inherited.
Outside of our homeland, second-generation Iranians have created our own culture that is as often in thrall to the countries that our parents emigrated to as it is in opposition to it. Like the children of immigrants from all across the world, we have butted heads against the cultural norms and desires of our parents, questioned inherited tradition and fought to carve out our own identities as suffixed citizens who are never quite at home in either of the places we call by that name.
Too “Westernised” for the family members we left behind who struggle to understand us, but not Westernised enough for our adopted hosts until we have explicitly denounced our heritage in a misguided attempt at assimilation and acceptance. We have learned to adopt characters and characteristics that appease both sides. As we all try to navigate the contrasting public and private spheres of our daily lives, this duality of roles is a distinction that our cousins in Iran know all too well.
Overlooked in the erroneous desire to replace the realities of modern-day life as an Iranian with the exotic mythology of Persia is that not all Iranians are even ethnically Persian, and that Iran is a nation of 88 million people with a variety of ethnicities, religions, classes, languages and cultures that includes Armenians, Lurs, Turks, Arabs, Jews, Baluchis, Baha’is and Afro-Iranians, among others. This includes Kurdish-Iranian Jina (Mahsa) Amini, whose tragic death at the hands of the regime’s “morality police” in September last year ignited the protests that have erupted across the country. The movement’s motto – Jin Jiyan Azadi (woman, life, freedom) – originates from Kurdistan’s all-female freedom fighting units and it is Kurdish regions that have borne the brunt of the retaliatory crackdown.
The youth of Iran are fighting for their future, and as the 4 million of us who make up the diaspora seek to stand in solidarity, we must imagine a future that looks forward rather than back to a rose-tinted past. We must look to a place where all Iranians, regardless of religious belief, ethnic background, sexual orientation or wealth are able to freely embody every aspect of our identities without the threat of oppression or discrimination. It is only then that we can all be free, and not appear as two-dimensional characters in someone else’s story.







Tasalla wears dress and tights LOUIS VUITTON, hat JAMES PINK STUDIO and scarf ARCHIVE AT RELLIK, Deba wears dress GIVENCHY, tights JONATHAN ASTON, hat JAMES PINK STUDIO and scarf CONTEMPORARY WARDROBE

Kasra wears waistcoat CONTEMPORARY WARDROBE and jumper ISABEL MARANT

Joanne wears top and scarf BURBERRY







Hannah wears top and skirt KIKO KOSTADINOV, shoes ALL-IN and headdress PEBBLE LONDON

(Left to right) Deba wears top, skirt and tights ANDREAS KRONTHALER FOR VIVIENNE WESTWOOD, shoes VIVIENNE WESTWOOD and headdress CONTEMPORARY WARDROBE. Kasra wears top and trousers LOUIS VUITTON, shoes THE NATIONAL THEATRE and necklace PEBBLE LONDON

Deba wears dress LOEWE


(Top to bottom) Deba wears top, skirt, shoes and headdress GUCCI and tights JONATHAN ASTON. Joanne wears top, skirt, belt and shoes DIESEL and headdress ARCHIVE AT RELLIK. Kasra wears dress THE ATTICO, trousers MARTINE ROSE and shoes THE NATIONAL THEATRE. Tasalla wears dress MOLLY GODDARD, tutu (worn underneath) ARCHIVE AT RELLIK, tights LOUIS VUITTON and shoes MANOLO BLAHNIK. Hannah wears top and mini skirt ARCHIVE AT THE ARC, skirt (worn underneath) Y/PROJECT, earrings AREA and shoes GIVENCHY. Roxanna wears corset MATTY BOVAN, underwear ARCHIVE AT THE ARC, earrings SUSAN CAPLAN, tights FALKE and shoes BLUMARINE. Deba wears shirt, skirt and shoes VERSACE, tights JONATHAN ASTON and belt ARCHIVE AT RELLIK. Kasra wears waistcoat ANDREAS KRONTHALER FOR VIVIENNE WESTWOOD, t‑shirt CARHARTT WIP, trousers MARTINE ROSE, necklace PEBBLE LONDON and shoes and belt CONTEMPORARY WARDROBE, Victors wears shirt and trousers MARINE SERRE, shoes MARTINE ROSE and chain CONTEMPORARY WARDROBE

(Top to bottom) Deba wears top, skirt, shoes and headdress GUCCI and tights JONATHAN ASTON. Joanne wears top, skirt, belt and shoes DIESEL and headdress ARCHIVE AT RELLIK. Kasra wears dress THE ATTICO, trousers MARTINE ROSE and shoes THE NATIONAL THEATRE. Tasalla wears dress MOLLY GODDARD, tutu (worn underneath) ARCHIVE AT RELLIK, tights LOUIS VUITTON and shoes MANOLO BLAHNIK. Hannah wears top and mini skirt ARCHIVE AT THE ARC, skirt (worn underneath) Y/PROJECT, earrings AREA and shoes GIVENCHY. Roxanna wears corset MATTY BOVAN, underwear ARCHIVE AT THE ARC, earrings SUSAN CAPLAN, tights FALKE and shoes BLUMARINE. Deba wears shirt, skirt and shoes VERSACE, tights JONATHAN ASTON and belt ARCHIVE AT RELLIK. Kasra wears waistcoat ANDREAS KRONTHALER FOR VIVIENNE WESTWOOD, t‑shirt CARHARTT WIP, trousers MARTINE ROSE, necklace PEBBLE LONDON and shoes and belt CONTEMPORARY WARDROBE, Victors wears shirt and trousers MARINE SERRE, shoes MARTINE ROSE and chain CONTEMPORARY WARDROBE

Hannah wears swimsuit GUESS, leggings FABIAN KIS-JUHASZ, cape SARAH APHRODITE, shoes ARCHIVE AT THE ARC and earrings SUSAN CAPLAN. Roxanna wears top and leggings FABIAN KIS-JUHASZ, shoes ARCHIVE AT THE ARC, cape SARAH APHRODITE and earrings SUSAN CAPLAN

Roxanna wears scarf stylist’s own, bodysuit MSGM, shoes ALL-IN and headdress PEBBLE LONDON






Hannah wears dress and shoes ALL-IN. Roxanna wears bodysuit ARCHIVE AT RELLIK, skirt ALL-IN, tights FALKE, headpiece and bracelets THE NATIONAL THEATRE and earrings SUSAN CAPLAN

CREDITS
ART DIRECTOR Sara Kabiri HAIR Kei Tarada MAKE-UP Porsche Poon SET DESIGNER Camilla Byles MANICURE Jada-Elize Lorentz CASTING Emilie Astrom TALENT Tasalla, Roxanna, Hannah, Deba, Kasra, Joanne and Victor PRODUCER Sophie Hambling PHOTO ASSISTANT Abena Appiah STYLING ASSISTANTS Frankie Tyler and Liv Sayer HAIR ASSISTANTS Takumi Horiwaki MAKE-UP ASSISTANT Shani Mushington SET DESIGNER ASSISTANTS Columba Williams and Eleanor Chaplin MANICURE ASSISTANT Jasmine Corrina CASTING ASSISTANT Maria Pablo Feliz PRODUCTION ASSISTANT Monique Watson
