London Film Festival: As the Best Show on TV ™ returns, Logan Roy’s cockiest offspring spills the beans* on what to expect from series three. *He doesn’t really. But he says other cool stuff.
Playwright and LGBT+ activist Larry Kramer’s 1980s play has been rebooted for the modern stage. Its ambiguity remains, as does its existential point: time wasted is death. Here, THE FACE meets director Dominic Cooke and various cast members.
Brace yourself: the British ballad queen has returned with her soaring new single Easy on Me. Here, we revisit her hits – which are some of the biggest breakup anthems ever committed to record.
Screen Time: From Succession to You, we've rounded up the best new stuff to watch.
The mainstream pop-punk renaissance is upon us and Meet Me @ The Altar are blazing the trail for the next generation. We join the American trio as they tour the UK for the first time.
Photographer Esther Theaker and stylist Isabelle Sayer get up close and personal in a fashion story balancing the sensuality, temporality and slow, soft movement of fleeting moments. Ahh.
Taken from the new print issue of THE FACE. Get your copy here.
0-800-Beauty-Hotline: Got a beauty dilemma? We’re here to help you in your hour of need.
Right now, someone somewhere is playing their viral debut single Chaise Longue. As the pair unveil their criminally addictive follow-up, we sit them down to learn the importance of shredding, existentialism “and being silly”.
The ICA’s brand-new, multi-sensory exhibition, Damien Hirst’s NFTs, food at Rita’s and loads more. THE FACE has got you covered.
It was the viral story that had Noughties kids glued to MSN messenger. Now, its cultural significance is being celebrated with a print edition.
Makeup artist Isamaya Ffrench and photographer Elizaveta Porodina take a maximalist approach to beauty for AW21.
Taken from the new print issue of THE FACE.
Hint: Hands off the devil emoji.
London Film Festival: the director of the Sundance-winning Danish film on his 25-year connection with his friend and leading man.
The emerging Baltimore-based art duo use tech and loaded questions in their work. Now, they’re taking over The London EDITION’s nightclub basement with Culture’s Panic Room.
After five years of presenting the house’s collections in Paris, Sarah Burton finds purpose in the city’s contrasts – hard and soft, fast and slow, sun and, well, pissing it down – to super cool effect.
Bums are out, inflatable octopuses are in for this shoot by photographer Lengua and stylist Ursina Gysi for the latest issue of The FACE.
It’s dubbed the Netflix of crypto and is poised to steal Ethereum’s limelight. Here’s everything you need to know about this rapidly rising coin.
London Film Festival: Directors Saul Williams and Anisia Uzeyman explain their stunning visual and sonic exploration of economic inequality and digital imbalances. Enjoy this trip...
Artists Nathalie Nguyen and Dominic Lopez have built their very own world where digital clothes are worn by miniature dolls and humans alike. Now stocked at Marc Jacobs’ Heaven shop in LA, Happy99 is the real deal – both virtually and IRL.
London Film Festival: The French star of 2021’s most jaw-dropping, see-it-to-believe-it film tells us how she got into the mind of psychopath for a role that sees her twerk, shag and kill.
As we approach party season, Louis Vuitton provides joy through luxe trophy pieces to go out out in. Here, Danish photographer Michella Bredahl captures the AW21 collection for the latest issue of THE FACE.