Through deft social satire and political allegory, South Korea has not only grasped a defining monster of western cinema for themselves – they’re now leading hordes across the globe with a brand of undead movie-making of their own.
What is it like to play in a world designed for hundreds to inhabit at once, when it is now almost completely unpopulated?
Exploring the brilliance of a film-festival-circuit favourite, from London to Recife, with its Brazilian co-directors.
Warning: not for the faint of heart. This is how Crytek brought Hunt: Showdown’s monstrous arachnid to life.
The 24-year-old actress on horror, toxic masculinity and her role in psychological thriller Daniel Isn’t Real.