London Film Festival: Lana Wilson, the director behind Taylor Swift doc Miss Americana, turns her camera onto seven New York psychics in Look Into My Eyes. You’ll be dead surprised by the results.
In her new exhibition, As It Was Give(n) To Me, Stacy Kranitz subverts poverty porn in pursuit of a more accurate portrayal of working class communities.
In their new book Magnetite, photographer Charlie Kwai and creative director Marco Minzoni hit a little-known corner of the Italian riviera. It’s a bit like Skegness, they insist…
Oscar-nominated doc All the Beauty and the Bloodshed is a potent portrayal of loss and addiction, following the artist’s fight against deadly inequality, corporate greed and big pharma, writes Amelia Abraham.
Sick of true crime series that turn tragic murders into an eight-hour analysis of a killer's mind? You're not the only one. We suggest you watch these documentaries instead.
London Film Festival: The male perspective has dominated films for over a century. In her new documentary, Nina Menkes tracks how filmmakers have long objectified women – and why that’s so harmful.
