Alex Kazemi’s new book is a suckerpunch account of bro culture, American mass media and the pitfalls of ’90s nostalgia beyond Kate Moss, Sonic Youth and Blockbuster.
The first monograph of the Austrian Oak, edited by Taschen’s “Sexy Books Editor” Dian Hanson, documents the man, muscle and musings of one of pop culture’s most recognisable figures.
Forget 4th century monks: we ask the writer and “deep state internet princess” to imagine a fresh set of cultural crimes.
It’s the play that’s gone right: a theatrical phenomenon pulling in young audiences via a chilling story and clever actor choices like Cheryl and Lily Allen. As a UK tour looms, its creator and latest cast explain why audience participation – screams, wine spills, all of it – are welcome.
Cheap sushi, pastry platters and freshly-shot pigeon: food in Succession isn’t there to be eaten. Instead, it implies that where there is food, there is abundance and – crucially – money.
Avril and Tyga. Timmy and Kylie. And now Taylor and Matty. You can’t convince us there isn’t something in the air.
