Last Days reinvents what an opera looks, sounds and feels like
An adaptation of Gus Van Sant’s 2005 film, this transgressive opera is loosely based on Kurt Cobain’s final days and seeks to dismantle who (or what) we think of as “idols”.
An adaptation of Gus Van Sant’s 2005 film, this transgressive opera is loosely based on Kurt Cobain’s final days and seeks to dismantle who (or what) we think of as “idols”.
When the actor was in town shooting one project (Panic Carefully), while promoting another project (Dope Thief), we couldn’t pass up an opportunity to send our teenage reporter, Sik, to clink cuppas with him.
The Project revives work written by queer authors who were lost during the AIDS crisis. The latest, Colm Ó Clúbhán’s Reasons for Staying, is a masterwork of outsider theatre.
Calla Henkel and Max Pitegoff, founders of LA's subversive New Theater Hollywood, interview Kalena Yiaueki about her new play Personal Inventory, which sees her reckon with family secrets following unexpected 23andMe results.
We gave the House of the Dragon actor a ring to talk books, birthday suits, and the allure of an egg mayo sandwich (you heard).
Editor Matthew Whitehouse on cover star Taylor Russell, and the musicians keeping England’s folk tradition alive.