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Endless wave
Lonely, weary, waiting for a sign? Check out this shoot by photographer Nick Sethi and stylist Yohana Lebasi.
Why is TikTok making me feel bad about going out?
Apparently partying is only for depressed people who are running away from their problems. Raise your hand if you feel personally victimised.
Myha’la Herrold: “My mom and I get tattoos every time we’re together”
Talking complex characters and her new slasher flick with Industry’s breakout star.
VTSS will make you scream
Martyna Maja has obliterated Europe’s best clubs with her rule-shattering techno sets. Now she’s stepping out from behind the DJ decks to launch her bold new direction: alt-pop superstar.
See our autumn issue cover story
New ideas. By new graduates and bedroom designers. Celebrated here.
Editor’s Letter: autumn 2022
Editor Matthew Whitehouse on this issue's 40-page cover-story, shot by Mert Alas & Marcus Piggott and featuring clothes made entirely by new designers.
John Boyega is readying the next gen of Black filmmakers
The actor-turned-mentor is working with five rising creatives for Converse’s Create Next Film Project.
Moncler hits the raves for its latest collection
Creative director Sergio Zambon remembers his hedonistic past in some of London’s most-loved (and now closed) nightlife venues for the house’s optimistic offering, titled 2 Moncler 1952 Man.
Remembering the Rihanna Loud t‑shirt of 2012
Worming its way into 50% of the British male population’s wardrobes (or thereabouts), the Topman tee is a relic of fashion’s past. But why did it become so popular?
Malone Souliers’ new collection is pure Mediterranean bliss
James Massiah: “My poems are gonna feel like London”
Poet James Massiah teams up with Barbour International to explore what it means to be an original artist today.
Amelia Dimoldenberg’s daily beauty rituals: nail biting, nuggets and pints of tea
Ever wondered how everybody’s favourite serial dater keeps her glow going despite the high-nugget diet? Us too.
Harley Weir’s new work is intoxicatingly rebellious
Opening last Saturday in Peckham’s Hannah Barry Gallery, Sins of a daughter is the artist’s latest ode to youth, the body and the female gaze. Haunting, yes. Liberating? Definitely.
Touch the sky (sort of) at The Standard’s rooftop reopening
Brits bloody love a rooftop, don’t they? And with the weather picking up, The Standard, London felt it was no better time to reopen its 11th floor. Throw in a Tems performance, flowing drinks and a bit ’o sunshine, and you’ve got yourself a decent party. Cheers.