The Preston musician and Fixed Abode label head presents a soothing showcase of the imaginative artists in his area.
This collaborative editorial lifts the lid on Great Yarmouth history via local artists, designers, filmmakers and a punk band, fresh from the new print issue of THE FACE.
Allegations of racism at Yorkshire Cricket Club brought the game into disrepute. Now a generation of junior players are attempting to change it. Howzat?
The unflinching Bradford playwright was overlooked during her lifetime. Now The Face speaks to the Northern writers keeping her spirit alive.
For the New York based designer and progeny of Chinese restaurateurs, everything is a family affair.
For her latest exhibition, which opens today at HFKD in Denmark, the artist and political dominatrix investigates what it’s like for a man to feel used and objectified.
The Stone Roses’ mythologised 1990 event up North was the totem of a youth movement. Here, we chat to photographer Patrick Harrison, who shot a spread for THE FACE at the turn of the decade.
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Portobello Road, Ladbroke Grove – nowhere beats West London for the UK rapper.
Following his collaboration with UGG, James talks us through his new exhibition from Milan Design Week.
KLVDR talks about the rapper’s epic, six months in the making music video that celebrates the best of Black British talent.
Ahead of his long-awaited album Famous Last Words, the UK’s most mysterious rap star sits down with THE FACE to chat about death, drugs and being reduced to tears by the voice of Neil Tennant.
The multidisciplinary artist has just released A Sphinx Looking For a Poet, a collection of poems written in Parisian solitude that’ll have you lunging for the suitcase.
Non-essential shopping gets the green-light. But how will coronavirus impact the future of retail? We asked four of our most-loved stores to weigh in.
Everyone’s favourite East London boutique is releasing a special anniversary capsule to mark 15 years in the biz. We asked founder Kyle Stewart some silly questions to learn more.
Eight years into his career as a furniture designer, James Shaw is finding his feet firmly planted somewhere in between architecture and fine art. His fixation? Normalising the weird and wonderful in ordinary environments, one plasticine toilet roll holder at a time.
