Exploring the brilliance of a film-festival-circuit favourite, from London to Recife, with its Brazilian co-directors.
' fill='%23FFF'%3E%3Cpath d='M544.852 368.131v-16.76h5.558v16.76h-5.558zm25.341 0v-21.132h5.558v21.132h-5.558zm8.447 0v-15.667h5.558v15.667h-5.558zm-25.341 0V354.65h5.557v13.481h-5.557zm8.446 0v-26.598h5.558v26.598h-5.558z' id='Equaliser'/%3E%3C/g%3E%3C/g%3E%3C/svg%3E)
Volume 4 Issue 003: The American artist talks terror, trauma and America’s inability to reckon with itself with Acyde and Tremaine Emory.
Volume 4 Issue 003: From Peter Pan to playing Ned Kelly via 1917, The Face speaks to the world’s most exciting young British actor.
' fill='%23FFF'%3E%3Cpath d='M477.183 261.325H496.3v-19.117h-19.117v19.117zm35.949-24.768l-11.428 9.143v-8.895h-29.923v29.923h29.923V258l11.428 9.143v-30.586z' id='Video'/%3E%3C/g%3E%3C/g%3E%3C/svg%3E)
A brilliant Face-commissioned film with a straight-up title hit Sundance, then Clermont-Ferrand, then Vimeo. But is that the whole story?
Beanie Feldstein takes the Revelations hot seat, and we talk llamas, British supermarkets and bagels.
