Through deft social satire and political allegory, South Korea has not only grasped a defining monster of western cinema for themselves – they’re now leading hordes across the globe with a brand of undead movie-making of their own.
What is it like to play in a world designed for hundreds to inhabit at once, when it is now almost completely unpopulated?
Exploring the brilliance of a film-festival-circuit favourite, from London to Recife, with its Brazilian co-directors.
Warning: not for the faint of heart. This is how Crytek brought Hunt: Showdown’s monstrous arachnid to life.
The 24-year-old actress on horror, toxic masculinity and her role in psychological thriller Daniel Isn’t Real.
From Psycho to The Lighthouse, the horror genre is full of wankers. But the act of pole-stroking is far from just a punchline.
