With its besieged mindset and paranoid sense of constant threat, S. Craig Zahler’s Dragged Across Concrete feels more like a spiritual inheritor of Michael Winner’s Death Wish than 22 Jump Street.
Philippa Snow investigates the thrilling ingredients of Lifetime’s campy, celebrity downfall biopics.
In Not Okay, Bodies Bodies Bodies, Triangle of Sadness and other works, the content creator gets a skewering. Are influencers coming to the end of their clout reign?
While we’re still (mostly) stuck indoors and our eyes glaze over from screen fatigue, it can be nice to spread eagle on the bed and turn on a podcast.
While Breakfast at Tiffany’s and American Gigolo are held up as blue chip style classics, The Matrix might be this generation’s biggest fashion reference.
A cryogenic prison, self-driving cars, and some solid gold forecasting that not even the highest calibre sci-fi came close to predicting.
Jewellers like SANTANGELO, Janky Jewels, Alterita and Shulian Nell are designing playful, sea-themed pieces inspired by nature, hedonism and the ocean. British weather, be damned.
The French-Canadian filmmaker discusses his reflective new drama, Matthias and Maxime, and explains why he still feels ashamed of putting gay sex on screen.
Volume 4 Issue 002: The underground star who steals the show in the new Safdie brothers movie.
With the second sequel of a second-time-rebooted superhero franchise currently enticing cinema-goers back in droves, we ask industry experts: just what is driving movie-going post-pandemic? Spoiler alert: it isn’t just spoilers.
The star of the Scream films was also an improbable wrestling star – too improbable even for wrestling. A new documentary chronicles the actor’s attempts at a comeback in the so-called sport. But does it have the ring of truth?
The legendary director on his most vulnerable, revealing film yet, The Shrouds, and the fact he and Charli xcx are digital pen pals. Or, at least, that’s how he makes it sound.
The British pair reunite for a second season of M. Night Shyamalan’s Apple TV+ chiller series. The scariest part? They can hardly make it through scenes without collapsing in laughter.
With a glaring lack of spaces dedicated to teen girls outside the judgmental sheen of Instagram and Twitter, where the hell can they go to be alone online? Modern blog Girlhood and Discord might have the answer.
Ho ho, 1917 was shot in a single take! Or, what looks like a single take. I spotted the cut, so I’m a cinematic genius. Roger Deakins!
