Rhea Dillon’s film is looking at societal issues from within
The Name I Call Myself is the latest film by the 23-year-old artist asking the big questions.
The Name I Call Myself is the latest film by the 23-year-old artist asking the big questions.
The former punk is a figurehead in Copenhagen’s principled techno scene.
Tracking the ethos of “not playing fair”, from Sonic 2 to Sekiro.
The writer, poet, playwright and performer looks back on a memorable 1999 warehouse rave
Director David Robert Mitchell’s surreal LA fantasy is probably beloved by the same people who bang on about the intellectual merits of Infinite Jest.
The DJ and radio host recalls the night of dancing that prompted her move to the city.
“It was about worshipping sound.” The creative force talks us through his most memorable nightlife moments.
He came from Graz, he had a thirst for flea markets. Now Christoph Rumpf is the winner of the prestigious Hyères Festival fashion prize.
The Irish actress on her “totally fockin’ exciting” forthcoming role.
The Swiss artist recalls his glory days living in Genoa, London and Paris.
August 2001: They’ve been banged up, shot at, knifed, adored, ripped off, sampled and mobbed. There’s 30 of them and the youngest is eight. They’ve brought mob rule to the charts and rebuilt pop for the 21st century. This is So Solid Crew: get UR streets on to the future sound of young Britain.
Watch Dan Emmerson’s take on the UK in its final days in the EU.
The regeneration game: along with a community of artists, four lads with guitars known as The Illicits are helping reboot their north-west town.
Nelson Harst and Nikki Igol are the husband and wife duo whose entire job is hunting down and archiving rare print materials.
Public consensus was that Stewart could not act. But she’s just being herself, and that’s what makes her riveting onscreen.
So goes the tagline to Diego Maradona, the new documentary about the legendary – and legendarily complicated – Argentine footballer directed by Asif Kapadia.
Following the first live performance of When I Get Home documented here, Grace speaks to Solange about devotion, the spectrum of research that informs her work, and the voices that have helped her better understand herself.