In Faceless Techno, photographer Yis Kid documents, lo-fi style, what the city’s techno community are wearing, in all their scantily-clad glory.
The NYC duo are one of the most exciting new acts in underground club culture. Despite the crisis, they see light at the end of the tunnel.
In her new exhibition, Hidden Tracks: A decade of free parties, which opens on 10th April at Gallery46, Seana Gavin draws from her huge archive of photography and diary entries to give us a first-person peek into the sweaty, heady days of peak rave culture.
We sent photographer Jaime López Cano to capture young ravers and what they’re wearing on their feet.
The Turner Prize-winning artist’s first retrospective book, Art is Magic, is a masterclass in making political art fun.
Creative director Sergio Zambon remembers his hedonistic past in some of London’s most-loved (and now closed) nightlife venues for the house’s optimistic offering, titled 2 Moncler 1952 Man.
Village parties founded on dance, touch and sweating with strangers are banned this year. In their honour, we take a look at the intergenerational all-nighters as captured by Berlin-based Greek photographer, Spyros Rennt.
These images of the city’s cult club House of God were taken by the legendary fashion photographer. Then they were lost for 25 years – until now. His son explains their origins, and their journey to a new exhibition, In the Que.
This summer’s seemingly inescapable sunglasses are the reflective wraparounds favoured by Tour de France cyclists and influencer gals alike.
In Emma Warren’s new book, the long-time raver and former FACE staffer takes us through the thrills of after-work piss-ups, queer nightlife and clubs in the 2010s.
Rave Report: These community-building parties celebrate the city’s “ugliness, beauty and rawness.”
Director Hannes Hirsch’s debut feature film cruises on self-discovery, chosen families and finding your feet on the dancefloor.
Illegal parties are sweeping the nation, provoking both media ire and memories of the Second Summer of Love. But in the midst of a global pandemic, are we witnessing a genuine rave renaissance? Or just by a bunch of #covidiots?
Contact, a new photobook by Harry Hawkes, documents the intoxicating bodies gathering in clubs post-pandemic, all in the name of human interaction.
Widely used as a protesting tool thanks to its encrypted messaging capabilities, party organisers are increasingly using the platform to put on secret DIY raves, recreating all the thrill, hedonism and anonymity of the acid house days.
The former punk is a figurehead in Copenhagen’s principled techno scene.
Seana Gavin’s new exhibition Spiral Baby celebrates the revolutionary togetherness of Spiral Tribe. It’s good for you.
