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Phatmedia comprises the internet’s largest database of old school rave flyers. From acid house to happy hardcore, here’s the best of British party art.

The Central Saint Martins MA Fashion graduate and emerging designer recently debuted at London Fashion Week, with a technicoloured take on giving zero fucks.

Based in London, the mysterious Japanese hairstylist has been busy subverting fashion campaigns all over the shop, using his work as therapy to create the coolest cuts.

This season, LOVERBOY embraces the darkness of the past year in Gloom, while yearning for the dancefloors rooted in the London brand’s DNA.

We’re having a Big Bally Moment, as proven by Y/Project and Loewe at the AW22 menswear shows. But what’s really lurking behind the apocalyptic-leaning trend?

Daniel Lee presented his SS22 collection for the Italian house in Detroit, showcasing a uniform for our return to “real life”, imbued with a welcome theatricality.

Felipe Oliveira Baptista’s vision for a post-pandemic future is optimistically club-ready, embracing every colour of the rainbow and capturing the exuberant spirit of Kenzō Takada’s design legacy.

Macaulay Culkin’s blue number in Gucci’s show has us thinking of the Hawaiian shirt in four key categories: The Existential Romantic, The Psychoactive Zonker, The Bad Boy, The Comic. Where do you fit?

The 33 designers became bedroom bound mid-term, waving a solemn goodbye to the Central Saint Martins studios (they were paying for). But it didn’t get in the way of their graduate collections – if anything, it made them even better.

From tribal tatts to acid rave smileys, Manon Macasaet’s I <3 TATTOO features custom-made, temporary ink from some of New York City’s most exciting artists.