Results for: 'London'

The groundbreaking Pakistani film about a relationship between a trans dancer and a married man was censored, banned and then unbanned. The filmmaker discusses its turbulent journey to critical acclaim.

All the fashion hits of the year, from carboots to catwalks and everything in between.

Following Kim Jones’ Dior tribute to the Buffalo gang icon, we revisit Blame’s archive stories for The Face.

On the hunt for more Black cowboy films after watching Netflix’s star-studded flick? We rounded up a Black westerns expert for recommendations. Saddle up.

Central Saint Martins grad Bailey Slater’s inaugural magazine celebrates all things British, gay, and early Noughties – get ready for an adrenaline-fuelled ride, soundtracked by Girls Aloud.

Shane Meadows' new TV show tells the story of the one of the largest frauds in English history. He's used his tried-and-tested technique of casting locals to create something truly unique: a period drama that's naturalistic, rowdy and, well, normal.

Following the success of her twisted yet deeply satisfying debut, Patel reflects on Trump, emotional unavailability, and why Black and Brown people don’t owe you palatability.

Through a personal narrative, the artist uses strange assemblages to question gender constructs, mass media and the over-blown narratives of American TV.

Meet the mega-brain engineers, clinicians, students and manufacturers from Oxford University and King’s College who have built a machine that could be key to the battle against COVID-19.

Close-Up: The Brits’ Best British Female is back with deliciously confident, club-ready banger Let Them Know. Having battled with stress and anxiety following her biggest year so far, she’s ready to step back into the spotlight.

Author Douglas Stuart and photographer Wolfgang Tillmans on how a classic shot encapsulates a soon-to-be-classic book.

The movie has made Academy Awards history as the first-ever Korean nominee for best picture. As Beth Webb finds, a large contribution to the film’s success, it seems, is a love for the director himself.