From Glass Onion and The Menu to Triangle of Sadness, right now, there's only one message (ironically) coming out of Hollywood: rich people are bad.
Rebecca Hall’s adaptation of Nella Larsen’s 1929 novel sparked heated debate before it was even released. Here, the actor-turned-director and the film’s star explain why the story still resonates today.
Through deft social satire and political allegory, South Korea has not only grasped a defining monster of western cinema for themselves – they’re now leading hordes across the globe with a brand of undead movie-making of their own.
Actor Ṣọpẹ Dìrísù on the terrifying demons in his new Netflix film, and the responsibility he had to amplify the voices of refugees.
The BFI’s new programme pays homage to working-class men on screen, featuring films such as The Football Factory, My Beautiful Launderette and Sexy Beast – all of which tell us more about the class divide than any arthouse flick will.
December 2000: Joaquin Phoenix has demons. The myth surrounding his late brother River. His “hippy” family. The six “wilderness” years he took off from acting. That “moodiness”. But this year, with formidable performances in Gladiator and now The Yards, he’s finally headed into the light.
London Film Festival: Blitz is this year’s Opening Night Gala. Its director and young stars discuss presenting a new, diverse view of life in bomb-shattered London.
Presenting the four young newcomers at the heart of this powerful British teen drama: lead actor Bukky Bakray and her castmates Kosar Ali, Ruby Stokes and D'angelou Osei Kissiedu.
Screen Time: Christmas, crime and cracking tunes take centre stage this week. Get into it.
Call Sheet: The actor stars in the house’s new campaign, photographed by Hedi Slimane. And he didn’t injure anyone on the shoot – unlike on True History of the Kelly Gang…
The King of Monsters is bigger! Badder! Back! But is he cool? “Very cool,” says James McMahon.
Femme (noun): “an LGBTQ+ person whose gender expression is considered to be feminine”. Femme (film): a brilliant, brutal British story of a drag queen’s thirst for revenge. We speak to stars Nathan Stewart-Jarrett and George Mackay.
Grace Pickering’s new show explores nuance within the transmasculine community.
Ahead of a Q&A and special FACE screening of Luca Guadagnino’s scorchingly sensual film, its leading man talks orgasms, Oscars and iPods.
Call Sheet: As we brace ourselves for the sixth instalment in the legendary franchise, one of its new stars lifts the lid on what she’s learned from Hollywood so far.
At a time when laughing at sex feels both awkward and necessary, films like Bottoms and No Hard Feelings are revamping a genre that was once riddled with misogyny.
