Emma Corrin on Deadpool & Wolverine: “So funny you will wet yourself”
Helping make superhero films fun again, wearing killer get-ups, shedding skin – literally – to get in character… All in a day’s work for the shape-shifting actor.
Helping make superhero films fun again, wearing killer get-ups, shedding skin – literally – to get in character… All in a day’s work for the shape-shifting actor.
Exclusive: In Netflix sci-fi thriller The Kitchen, Wright swaps the commentary box for the DJ booth. He and co-director Kibwe Tavares chat community, gentrification, the Premier League and Gary Lineker.
Filmmaker Leo Leigh's evocative photo book revisits an unearthed box of tapes from his youth. Cue: McDonald's wrappers, smoking on busses, and bongs.
THE FACE Film Society: We're offering you an exclusive and totally free London preview of writer-director Emerald Fennell’s brilliant new film starring Jacob Elordi, Barry Keoghan and Ewan Mitchell.
Today, a jury panel including Andy Serkis and THE FACE’s editor Matthew Whitehouse got together to whittle down a shortlist of Britain’s most exciting acting talent – and you can vote for your favourite.
One Tom Ford eyeliner, five daily wig changes, clouds of hairspray and 120 outfits: the costume, hair and makeup teams behind Sofia Coppola’s biopic tell us how they brought Priscilla Presley’s legendary ‘60s style to the screen.
A brilliant Face-commissioned film with a straight-up title hit Sundance, then Clermont-Ferrand, then Vimeo. But is that the whole story?
Catching up with the internet’s favourite funnyman to talk dick pics, sleazy shenanigans and his new film Rotting in the Sun.
A fixation with horror runs in the Cronenberg family. Following in his father’s footsteps, the visionary director uncovers the chilling meaning behind his latest film release.
London Film Festival: director Nikyatu Jusu on her Sundance-winning horror and the secret to making a proper scary film.
From Glass Onion and The Menu to Triangle of Sadness, right now, there's only one message (ironically) coming out of Hollywood: rich people are bad.
Rebecca Hall’s adaptation of Nella Larsen’s 1929 novel sparked heated debate before it was even released. Here, the actor-turned-director and the film’s star explain why the story still resonates today.
Through deft social satire and political allegory, South Korea has not only grasped a defining monster of western cinema for themselves – they’re now leading hordes across the globe with a brand of undead movie-making of their own.
Actor Ṣọpẹ Dìrísù on the terrifying demons in his new Netflix film, and the responsibility he had to amplify the voices of refugees.
The BFI’s new programme pays homage to working-class men on screen, featuring films such as The Football Factory, My Beautiful Launderette and Sexy Beast – all of which tell us more about the class divide than any arthouse flick will.