Earl Sweatshirt’s heart is full on Tourmaline
Also on Rated by THE FACE: Geese, Unflirt, Wolf Alice and Adéla.
Also on Rated by THE FACE: Geese, Unflirt, Wolf Alice and Adéla.
The London-via-Merseyside duo have created a network of free-spirited collaborators.
You’re a big time pop star, a bonafide Marvel superhero, one of the highest paid models in the world. Still feeling the pinch? Time to diversify your portfolio.
Cruising is alive and well, kids. The proof is in this photobook.
As their storied history attests, big trousers are so much more than a nostalgic fashion throwback. Styles’ brazen bloomers feel like a powerful sign of our times.
Bad Gays is the hilarious new podcast by Huw Lemmey and Ben Miller dedicated to spotlighting the “evil and complicated queers in history” – the ones we’d rather forget. Or perhaps not...
Ahead of his posthumous album Quit To Play Chess, the radical musician’s friends, family and big-name collaborators reflect on his struggles and his soul-stirring charm.
Fashion news of the week: the brand's SS24 campaign harks back to taped over home videos. Plus our thoughts on Marc Jacobs’ latest show, Birkenstock’s new digs, campaigns from Miu Miu, 16Arlington and Dior, and a documentary on John Galliano.
After the death of George Floyd and the violent suppression of Black Lives Matter protests forces across the US have come under heavy scrutiny. Andrea Domanick looks at the growing demands to demilitarise and defund them.
The Face went backstage to meet the rising stars at the institution renowned for its ability to churn out A* A-listers on repeat.
We asked the cult festival’s nearest and dearest to share their wild stories, favourite sets and dancefloor highlights to raise a glass to FM. Don’t worry – it’ll be back.
Side Hustles: Model duo Breanna Box and Peter Dupont are raising the stakes in the homeware game, designing horny carafes and functional glassware – a creative pursuit found in the middle of lockdown.
Just over a year ago, the England team were heroes. Now they’re heading to a World Cup mired in death and corruption, with a palpable lack of “it’s coming home” energy.
Social media shaming and screenshots of “horror stories” seem to influence our dates more than the person we’re seeing. How did we get here?
The LA-based producer used Grimes’ Elf.Tech software to mimic her voice. After Grimes declared it a “masterpiece”, the song has become the artist's first official AI release.
Now free from major label bullshit, the daring artist is no longer limited by anyone else’s fears.