“The culture of the age is temporary, casual, job-to-job for working class kids”
Director Ken Loach on the crisis – and the kids – at the heart of his brilliant, vital new film, Sorry We Missed You.
Director Ken Loach on the crisis – and the kids – at the heart of his brilliant, vital new film, Sorry We Missed You.
LFF: The Wes Anderson-approved French-Algerian follows fellow César winners Charlotte Gainsbourg, Vanessa Paradis and Audrey Tautou – and now she’s disarming Timothée Chalamet.
The inspiring Oscar-winning and BAFTA-nominated short film that shows what it says in the title.
With The Scary of Sixty-First, her directorial debut, the actor-director-podcaster makes Jeffrey Epstein’s disgraced downfall even more bone-chilling.
We’ve hand-selected (and interviewed and photographed) some of our favourite people across music, art, film, literature and fashion, just for you.
The US actor takes the lead in Ben Wheatley’s Netflix remake of a classic.
Arrested aged 25, whistleblower Reality Winner received the longest ever sentence for releasing intelligence to the media. Euphoria star Sydney Sweeney plays her in a stunning new film. Here, in her own words, is Winner’s story.
The movie has made Academy Awards history as the first-ever Korean nominee for best picture. As Beth Webb finds, a large contribution to the film’s success, it seems, is a love for the director himself.
Review: Newcomer Zack Gottsagen demonstrates that disability needn’t stop you from fulfilling your dreams and the Shia LaBeouf comeback continues apace.
Amy, Diana, Marilyn: dead famous women’s bodies are increasingly being raked over, mythologised and made tragic. When will it end?
Toe-curling sarcasm, anxious talk show appearances, “Evil Hag” energy... Think you have Aubrey Plaza all figured out? Brilliant new psycho-drama Black Bear reveals a raw and vulnerable side of the Ingrid Goes West actor.
London Film Festival: The male perspective has dominated films for over a century. In her new documentary, Nina Menkes tracks how filmmakers have long objectified women – and why that’s so harmful.
Call Sheet: The Los Angeles-born actress talks making on-screen magic in Hocus Pocus 2, her on-set essentials, and juggling films with life as a normal college student.
The director thrilled a packed cinema with an entertaining post-screening conversation at THE FACE Film Society’s preview of her riotous new film.
The Face travelled to Derry to make a powerful film documenting the city’s political and social activism. Watch the full film directed by Scott Carthy here.
Exploring the brilliance of a film-festival-circuit favourite, from London to Recife, with its Brazilian co-directors.
Emerald Fennell and Carey Mulligan, the director and star of 2021’s smartest, sharpest, darkest thriller, discuss rape, romcoms, revenge and how a Britney banger put the Toxic in toxic masculinity.