After a non-stop year, the Italian house’s creative director turned to director Pier Paoli Pasolini for a collection that balances the old and new, past and present.
Never mind the kale, keep the Diet Coke. This is what keeps Britain’s next top model looking oh-so tip-top fresh.
This season, the cult French designer brings us an exuberant, utilitarian collection for the intrepid man on the move. Staycations will never be the same again.
Artist and curator Leif Jones has joined forces with Leo Fitzpatrick’s experimental space to put on Night Light, a show all about community, friendship and stellar art.
The New York-based artist captures close-knit friendships and newfound connections in this gritty fashion story, featuring a hand-picked cast from the four corners of the city: Brooklyn, Manhattan, Queens and the Bronx.
Taken from the new print issue of THE FACE – get your copy here.
Creative director Sarah Burton helms a collection of strength and resilience, while harking back to the beauty of the British countryside.
Artists Nathalie Nguyen and Dominic Lopez have built their very own world where digital clothes are worn by miniature dolls and humans alike. Now stocked at Marc Jacobs’ Heaven shop in LA, Happy99 is the real deal – both virtually and IRL.
Bums are out, inflatable octopuses are in for this shoot by photographer Lengua and stylist Ursina Gysi for the latest issue of The FACE.
After five years of presenting the house’s collections in Paris, Sarah Burton finds purpose in the city’s contrasts – hard and soft, fast and slow, sun and, well, pissing it down – to super cool effect.
Far off travel was still strictly off limits for his latest resort collection, but Nicolas Ghesquière metaphorically took us on a trip to outer space and beyond.
...and introduces womenswear for the first time, while taking the gong for the BFC/GQ Designer Menswear Fund this year, announced today.
Photographer Esther Theaker and stylist Isabelle Sayer get up close and personal in a fashion story balancing the sensuality, temporality and slow, soft movement of fleeting moments. Ahh.
Taken from the new print issue of THE FACE. Get your copy here.
