The best new tracks, picked by our staff
Rated by The Face: a playlist featuring John Glacier, Jawnino, Daine and Zlatan.
Rated by The Face: a playlist featuring John Glacier, Jawnino, Daine and Zlatan.
Recapping on all the fashions that went down in Paris this season, from Saint Laurent and Dior to Courrèges, EENK, Vaquera and many more.
Take a tour through, TikTok, pop culture’s new Wild West and Vaquera designer Patric DiCaprio’s favourite time-sucking obsession.
One for the diaries: here’s an extensive guide of exhibitions, events, festivals and club nights this BHM.
From Vanna Youngstein's Euphoria-approved baby tees to Praying's rhinestone crop tops, shrunken T-shirts are your post-pandemic solution to looking cool while staying comfy.
Fashion news of the week: Plus, Self-Portrait and Christopher Kane are a match made in heaven, Willow Smith debuts her first RTW line with Moncler Genius, Gabriel Moses designs the BRIT trophy and drinks are on JW Anderson and Guinness.
We speak to the rising tide of trans US politicians winning public office: Colorado’s Brianna Titone, Rosemary Ketchum, West Virginia’s first openly trans lawmaker, and Andrea Jenkins, founder of Trans United Fund and the first trans Black woman to be elected to office.
Following the toppling of racist statues around the world, five Black London-based designers share their visions for systemic, abstract and physical spaces of Black joy exclusively for The Face.
As a rapid response to school and university closures, some of the platform’s biggest learning celebrities have set up The StudyTube Project.
Virgil, Tyler and Covid-19 – there’s a lot going on with the Griselda rapper’s new project Pray for Paris.
Editor Matthew Whitehouse on THE FACE's latest cover star Adele.
Worms magazine’s Clem MacLeod and artist Stephanie Francis-Shanahan’s new project encourages us to embrace softening up for a better world. Hear, hear.
Get educated, get buff and get yourself off.
Director Nabil gives us the lowdown on Dua's latest earworm.
Despite being banned in cinemas, the box office success of Rapman’s film proves the demand for authentic storytelling about inner-city struggles.