Anthony Vaccarello points at a big and bolshy return to luxury for the French house’s AW21 collection.
Welcome to the Roaring Twenties. We got off to a slow start, and it’s sure been a bumpy ride, but you’ve now reached your final destination: a full-blown fashion fantasy awaits. Prepare to dress up again because we’re going out out. And we’re going all out.
As the label gears up to unveil a secret new project, we look back at seven years of brilliant fashion piss-taking to predict what might come next. Invisible clothes, anyone?
Musician and producer Surkin discusses his new zine GENER8ION – with entries from Matthew Williams and Keizo Kitajima – and a forthcoming “optimistic dystopian sci-fi project” in collaboration with director Romain Gavras.
The serial collector took to the Catacombs of Paris to document youth culture and contemporary artefacts. Spoooooky!
If the latest menswear shows are anything to go by, logos are on their way out. The hypebeast has grown up, and wants quiet functionality instead.
Delving into the wardrobes of the season’s deadliest on-screen psychopaths. The ones that look just like us.
As seen on: this week, Chloë Sevigny got hitched in Jean Paul Gaultier, Beabadoobee cropped-out and Paloma Elsesser launched her new collab with Miaou. Two very big thumbs up.
MSCHF left a gigantic digital footprint across the globe this week with the Big Red Boot, following in the smooth footsteps of Loewe and Bottega Veneta. Are we odd for liking shoes this even?
Last year brought us Bottega green, hot celeb couples, bloody musicals and amapiano. But what can we expect in the year to come? Let’s find out...
You say it best when you say nothing at all. Here are the rudest, sleaziest tees from films featuring put-downs, bold questions, diplomatic power and sheer ’90s nihilism.
As seen on: Seven(ish) days of Rih in Versace shades, FKA twigs in KNWLS, Chloe Cherry in a rude t-shirt and Hunter Schafer in Margiela. Whew.
Streetwear mystery boxes are the new craze and it’s down to Joe Wilkinson and Mario Maher whose Heat company has sold over 15,000 to date. Here’s how.
By the light of the crescent-moon: how the French designer’s logo is a mark of upcycling innovation and style for the 24-hour generation.
Nostalgia ain’t what it used to be. We’re recycling eras so quickly in the 2020s that the 1990s might as well be a century ago. But if 2014 is already old hat, where do we go from here?
