The Afro-futurist, butch femme rapper talks to The Face about some of the city’s most inspiring musicians and artists.
In the 2010s, the trap beat became one of the defining signatures of contemporary music. Simon Reynolds traces its migration from the streets of Atlanta to the pop charts, spawning scenes across the globe.
In a country where inequality is commonplace, mixed-race people are afraid to speak out about their identity. But what long-lasting impact does suppression have on our self-esteem?
The genre-mutating American duo have a legendary cult fanbase. THE FACE headed to their first UK headline gig to capture the moment.
The influencer and podcaster has made a name for herself by mercilessly taking the piss out of girlboss culture. Here’s what she gets up to within the confines of her screen.
The funniest, busiest multi-hyphenate in the biz brings a rebellious spirit to every project, including his latest addition to the MCU, Thor: Love and Thunder. How does he do it? And where are his shoes?
For his third in a run of shows exploring “indieness”, Hedi Slimane joins the dots between the proto-punk of Suicide, the rock scene of the ’00s, and the new gen of Paris nightlife.
Amongst the day-to-day prostitution, gambling and smells of rotting carcasses, Greg Girard set about capturing the final decade of the vice-ridden city in the heart of Hong Kong.
Marvin Scott Jarrett recalls how he got Björk, Bowie and Jane’s Addiction on key issues of the authoritative ’90s magazine.
Rated by THE FACE: a playlist featuring Stormzy, GloRilla, Isabella Lovestory and Black Sherif.
Forget the pristine polish of an all-black get-up. We should be slouching around in muddy brown, apparently.
A new exhibition from Martin Parr, Corbin Shaw and OOF magazine spotlights the footie fan. Who are ya?
WAGs still exist, sure. But no one’s doing it like the noughties OGs anymore.
One of the cultural hubs of Minneapolis is rebuilding after the riots, but some fear that outside investment will accelerate the neighbourhood’s descent into gentrification.
Frederick John Philip Gibson hasn’t exactly built his career from the ground up, but his tunes are huge, he has a mega fanbase and he's just been nominated for the Mercury Prize. So, Clive Martin asks, is it really fair to paint him as the enemy of dance music?
