Danger wanks! Masturbation in horror cinema
From Psycho to The Lighthouse, the horror genre is full of wankers. But the act of pole-stroking is far from just a punchline.
From Psycho to The Lighthouse, the horror genre is full of wankers. But the act of pole-stroking is far from just a punchline.
A landmark exhibition at London’s Design Museum reveals the story of a man who is as much an enigma as his work.
The filmmaker left trouble behind to pursue his creative instinct.
The British actress makes the Sundance Grand Jury prize-winning film an uncomfortable, important watch.
Trailer of the Week: the first in a sporadically scheduled series dissecting the 150-second mini-blockbusters that we call “trailers”.
London Film Festival: the Londoner is starring in the other must-watch TV drama of the season (the other being Succession) (you knew that).
The BAFTA-nominated filmmaker turns his attention to the rituals of everyday Black life in his new project, rituals: Unionblack.
It’s a big week for the writer, artist and filmmaker: there’s a retrospective of his work on at the Tate Britain, and he’s got a new book out, Flower. In both, he asks himself – and the audience – big questions about modern life.
Podcast: We’ve watched it! Listen to our discussion about whether the fanfare surrounding one of the most anticipated films of the summer is justified.
Call Sheet: LaBelle was an unknown Canadian teenager when he was cast as a young Steven Spielberg in The Fabelmans. Almost as much pressure as that time he choked in a Riverdale audition…
From school to stardom, the 19-year-old actress and Rocks breakout is rising – fast – to the top.
A handy guide for all you prudish cinephiles out there.
Five Things: The In The Heights triple threat opens up about his most treasured items that will never be flogged off at a car boot sale.
Daniel Kaluuya and Jodie Turner-Smith, the film’s British stars, interviewed together on filming together – and hitting Mardis Gras.
London Film Festival: techno gets the definitive documentary it deserves, in a brilliant portrait of the genre’s Black pioneers.