
Are people ruining their relationships for online fame?
With the rise of prank videos that take it too far, influencers have figured out a fool-proof way to get likes: treat their partners like shit.
With the rise of prank videos that take it too far, influencers have figured out a fool-proof way to get likes: treat their partners like shit.
The pause of club football for the international break is usually met with a collective sigh. However recent unhinged results have left us gasping for a breather in the Premier League.
Gurinder Chadha’s latest film Blinded by the Light is some much-needed optimism in today’s rather grey world, set to the soundtrack of The Boss’ legendary back catalogue.
Screen Time: Christmas, crime and cracking tunes take centre stage this week. Get into it.
The British pair reunite for a second season of M. Night Shyamalan’s Apple TV+ chiller series. The scariest part? They can hardly make it through scenes without collapsing in laughter.
Review: A tightly-plotted film that veers through several different tones, The Perfection stands up to repeat viewing, should you have the stomach for it.
Following a 90 day will-it, won’t-it speculation over Trump’s US TikTok ban, a rival app has welcomed an exodus of disenfranchised, renegade-dancing TikTokers. But how will this impact Triller’s hip-hop DNA that has traditionally elevated its Black creators?
From the danse macabre to Charon the boatman, video games are reinventing myths about dying.
Emerald Fennell and Carey Mulligan, the director and star of 2021’s smartest, sharpest, darkest thriller, discuss rape, romcoms, revenge and how a Britney banger put the Toxic in toxic masculinity.
The first feature film from TV presenting stalwart Reggie Yates is a love letter to the UK garage culture that helped make him. Do you really like it? Is it, is it wicked? “Yes!” is the director of Pirates’ emphatic reply.
TikTok puritanism be damned – we can't wait for Sydney Sweeney and Glen Powell's saucy rom-com to come out. We've rounded up our favourite steamy romantic comedies, from Spike Lee classics to unexpectedly hot cult flicks.
One week, one mood: Moya Lothian-Mclean’s deep-dive into the feel of the week.
When she released her first single, drivers license, in January, Olivia Rodrigo immediately became the world’s biggest pop star. Ahead of her debut album, Sour, the 18-year-old discusses how her sound captured the hearts of teens the world over.
Schools out… for the apocalypse. All Of Us Are Dead already sounds unmissable.
The two breakout stars, Maddie Phillips and Anjelica Bette Fellin, tell us how they reinvented the female action hero.