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From the “new twist” on Mean Girls to the “bold new take” on The Color Purple, it seems no one wants to admit their new movie is a musical.

As her retrospective Happy Gas opens at Tate Britain, the original bad girl of art talks bogs, raves and not giving a toss.

Pleasure seekers: walk towards the red light. Over here, we’ve got transgressive nudes shot by Harley Weir, ’80s erotica from Julia et Vincent, bodybuilders and even some horny homeware.

Sure, metallic eyeshadows and slick lip oils are nice. But sometimes you just want to smell really, really good.

Fashion news of the week: Plus, Stone Island’s winter warmers, Louis Vuitton’s office culture, C.P. Company’s 50 years, Tekla and Birkenstock’s cosy collab and Palace’s first unisex line.

Since 1913, Kyoto University’s Yoshida dorm has been home to radical, anti-establishment youth.

100%: We quizzed the Norwegian musician on watermelon ice vapes, sugar daddies, and her genre-straddling new EP, Eurostar.

Hooray, it’s the final pit stop! Starting off with Vaquera, Hodakova, Saint Laurent, Courrèges, Marni (and ending with a long, long lie-in).

Since 2010, Beat has blended music genres with a punk ethos and a Mystic Meg eye for emerging talent.

Roo Oxley, lifelong casual and author of new book Clobber, discusses what it means to belong to one of Britain’s most contentious subcultures.

THE FACE speaks to British-Somalian artists about stigma, solidarity and the future of the scene.