Opening London Fashion Week SS22, Deanna and Laura Fanning presented the easy-breezy wardrobe we wished we could have worn beachside this summer.
There was much to enjoy at Alexander McQueen SS23, where the work of Dutch painter Hieronymus Bosch collided with the return of the brand’s signature hip-slippers.
Get stuck into a fashion story from our latest issue, photographed by Johnny Dufort and styled by FACE Fashion Director Danny Reed.
A holiday to Hydra and a thrifting session in New York inspired the designer's most serious collection yet. We dropped by her studio for a taste.
French Renaissance influences and harsh, dark details characterise a politically-driven AW21 collection. Contrastingly, though, the light could be nearer than we had hoped.
To wrap up or shed some layers? Do both with this democratic take on transitional dressing from the new issue of THE FACE, photographed by Mitchell O’Neill and styled by Thistle Brown.
Alongside stylist Omaima Salem, the Paris-based photographer captures the house’s most recent collection on model Laiza de Moura in our most recent issue of THE FACE.
The Italian house’s AW21 collection sees creative director Pierpaolo Piccioli wield his scissors in a collection that’s all about refinement, without sacrificing his signature romanticism.
This season, creative director Alessandro Michele was giddy with optimism, and by the end of the show, it almost seemed like an illegal (well-dressed) rave.
It seems we’ve got a thing for sci-fi beyond the big screen. This season, the likes of Gucci, KNWLS and Vaquera opted for futuristic, iridescent make-up that felt worlds apart.
The founder of the ethically-focused fashion brand sits down with THE FACE to talk sustainability, activism and what we need to learn from the 2016 election.
The talent-championing retail space just dropped its first editorial, featuring Face-approved designers Adam Jones, Hardeman and Ed Curtis.
THE FACE speaks to the creative director about his democratic approach to fashion, his pursuit of fashion films and making clothes for the women he sees every day.
The University of Salford’s Fashion Image Making and Styling students were set a brief earlier this year: document what “family” means to you, based on MoMA’s seminal Family of Man exhibition in 1955. Here are (six of) their interpretations.
