Photographer Richard Mosse opens debut retrospective
From Friday, Bologna’s Fondazione MAST gallery will host Mosse’s documentary work, which has taken him everywhere from the Amazon Rainforest to the Gaza Strip and Greece’s Moria refugee camp.
From Friday, Bologna’s Fondazione MAST gallery will host Mosse’s documentary work, which has taken him everywhere from the Amazon Rainforest to the Gaza Strip and Greece’s Moria refugee camp.
With a place on this summer’s artists residency at Villa Lena in Tuscany, Mallory Lowe is looking to the past to shape the future.
Hedi Slimane presented an electric womenswear show, set against the idyllic backdrop of the Château de Vaux-le-Vicomte, near Paris.
Since an LGBTQ+ community centre in Ghana was forced to close in February, queer people across the country have become increasingly ostracised. With no physical refuge, social media has become their place of solidarity.
The rapper talks ambitions for global success, cyberfraud allegations and pioneering a sound and dance that’s been embraced by Burna Boy and Beyoncé.
Less salacious that Skins, more silly than Gossip Girl, Story of My Fucking Life showcases the imperfections of everyday life in 15 minute episodes.
Since 2006, nearly 60 per cent of London’s LGBTQ+ venues have closed down. As Alim Kheraj writes, it’s a situation London’s queer community has faced – and overcome – before.
The rising Bradfordian painter presents us with WINDOWS – an online exhibition of eight brand-new works showing the banality, and beauty of life in lockdown.
Back in 2006, the 18-chapter tale of sex, guns, young love and grief made the rounds on many a Sony Ericsson W810i. Now, the re-edition is set for release via #Merky Books in October.
Bree Runway's dropped an early summer sizzler, LCY's experimented with conceptual club music and Olivia Rodrigo has followed up the biggest song of the year.
At a time of brand partnerships and airtight PR, a growing number of footballers are taking a simple, individual act of defiance: rolling down their socks.
Getting to the crux is writer Matt Burgess, whose new book Artificial Intelligence – part of the WIRED series – weighs up the pros and cons of surveillance, personal data and face recognition.
Jessie Buckley and Josh O’Connor, the doomed lovers in the National Theatre’s disruptive new play-as-a-TV-film, explain why their Shakespeare adaptation is the right drama for right now.
The King of Monsters is bigger! Badder! Back! But is he cool? “Very cool,” says James McMahon.